Tweet Search the Site: Did Father Ernetti actual have a machine that could see back into the depths of time? Was his story folly or fancy? The two, who were both experts on ancient languages, were talking about scriptural interpretation when Father Ernetti remarked that there existed a machine that could easily answer all their questions. When asked about it, Father Ernetti described a device he called a "chronovisor" that looked a bit like a television. Instead of receiving broadcasts from local transmission stations, however, the chronovisor could tune into the past to allow the viewer to see and hear events that had occurred years or even centuries earlier. Father Ernetti told Brune that the machine worked by detecting all the sights and sounds that humanity had made that still floated through space.
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Tweet Search the Site: Did Father Ernetti actual have a machine that could see back into the depths of time? Was his story folly or fancy? The two, who were both experts on ancient languages, were talking about scriptural interpretation when Father Ernetti remarked that there existed a machine that could easily answer all their questions.
When asked about it, Father Ernetti described a device he called a "chronovisor" that looked a bit like a television. Instead of receiving broadcasts from local transmission stations, however, the chronovisor could tune into the past to allow the viewer to see and hear events that had occurred years or even centuries earlier.
Father Ernetti told Brune that the machine worked by detecting all the sights and sounds that humanity had made that still floated through space. Father Brune wanted to know if Father Ernetti and his collaborators had been able to see the crucifixion of Christ. Ernetti replied, "We saw everything. The agony in the garden, the betrayal of Judas, the trial - Calvary. It is unlike the fictional devices found in most popular books, TV shows and movies, however, that transport people into the future or past.
This type of time machine would bring pictures and sounds from the past into the present. Time machines that transport people seem far beyond anything our technology can currently build, but what about a device that just deals with images and sounds? Could a machine like Father Ernetti described be built? Telescopes, like this large one at the Lick Observatory, can see back in time millions and even billions of years Copyright Lee Krystek, We actually use crude versions of chronovisors every day.
A security camera hooked to a video recorder will enable us to see into the past. Even something as a simple as mirror is really a type of chronovisor. Large telescopes also act as chronovisors. The distant galaxies we view through these devices do not actually look like they are today, but as they appeared when the light left them millions, or perhaps billions of years ago. He would see the Wright Brothers invention of the airplane, not the launch of a space shuttle.
Undoubtedly such as device would be much more complicated than even the most advanced telescope. Telescopes can see back in time, but what part of history they view is entirely a function of how far away the object is. A star light-years away can only be seen as it was five centuries ago, not as it was a hundred years later or earlier than that. And, of course, they can only view what is visible from earth.
We cannot see what is on the far side of the Crab Nebula no matter how much we are interested in what it looks like. The device described by Father Ernetti, however, seemed to be able to tune into almost any era and any location. The Secret Team of Scientists How did the priest get a hold of such a fantastic machine? This got the priest thinking about what happened to all the sights and sounds humans make.
Did they disappear completely or do they continue to exist in some way? Ernetti approached some eminent scientists and assembled a team to work on the project.
The group inclided Enrico Fermi one of the designers of the first atomic bomb and Wernher von Braun the German rocket scientist. The team built the chronovisor so it could tune into any time or place. Brune was astonished that he had not heard of the invention of this device. Father Ernetti replied that the team had decided to voluntarily dismantle the device. Since it could tune into any place at any time in the past it left no room for privacy. In the wrong hands, Ernetti said, it could create the "most fearsome dictatorship the world has ever seen.
While he never produced the device itself, he was eventually coaxed into displaying some forms of proof. The first was the text of the play Thyestes. Ennius is sometimes called the "Father of Latin Poetry" and over the course of his lifetime he wrote about 20 plays and an epic poem on the history of Rome called Annals. Only a few fragments of his work survive.
His last play Thyestes was produced only shortly before his death in B. Scholars have wondered about this play for centuries. Though they know what the story was about based on the writings of the first century author Seneca, the actual text, except for a few lines, has been lost to history. Marasca contacted Ernetti and eventually they became friends. Ernetti promised to show Marasca his machine, but never did. What he did present to the professor was a handwritten manuscript of what he indicated was the complete play, Thyestes, that he had supposedly copied down while watching the chronovisor.
Marasca held onto the text for a number of years, refusing to show it to anybody. Eventually he passed copies to select individuals including Father Brune. The photo Ernetti alleged was from the chronovisor. The photo shows the face of a bearded man with upturned eyes. The photograph shows a wooden carving of Jesus in the sanctuary by the Spanish artist Cullot Valera. After this revelation Father Ernetti said little more about the photograph and the chronovisor. He died in As for the manuscript of Thyestes that he said he had transcribed from watching the play on the chronovisor, it seems too short - only lines - for it to be the full play.
Most plays of this type would have been ten times as long. The type of words and the way they are repeated also suggest that the person who composed the manuscript had limited skills in Latin.
As Ennius, the playwright, was using his native language this seems very strange. The Enigma of Father Ernetti What can we make of this strange story?
It would be easy to dismiss Father Ernetti as a crackpot or compulsive liar. Outside of his entanglement with the chronovisor, however, Father Ernetti was an extremely respected, but quiet, intellectual whose specialty was archaic music. He spent most of his life doing research and teaching on this subject and was the author of such respected books as Words, Music, Rhythm and the multi-volume work General Treatise on Gregrian Chant.
Why would such a respected clergyman, academic and author make up such a wild story? However, Ernetti continued to insist that the chronovisor actually worked. Since the document is anonymous it is hard to know how much faith to place in it. Brune thinks the resemblance of the picture to the statue can be explained by the artist carving the work under the direction of a nun who had a vision.
In the vision she saw Christ hanging on the cross and described it to the artist. The artist translated her vision exactly into the sculpture. Paleoacoustics Trying to gather the remnants of electromagnetic waves left over in the environment and reassemble them into a coherent image seems an overwhelming task, even with the most advanced computers.
Some scientists have speculated, however, that we may find past sounds preserved in the environment. The idea is that sound waves might have been recorded and preserved by accident. One possible way this could happen would be during the creation of pottery. On early phonographs, sounds were preserved by using a tin or later wax cylinder spun with a needle, etching a spiral groove down the surface of the cylinder.
The needle would pick up sounds waves and etch the vibrations into the grooves. When the needle traveled down the groove a second time, the effect would reverse itself and the needle would vibrate, playing back the recorded sound. On the pottery wheel the soft clay of the pot would act as the recording medium and the stylus as the needle. In theory the sound vibrations could be etched into the clay. Given that this method of creating pottery has been around for thousands of years this technique seems to hold out the promise of bringing back sounds from the ancient past.
Though this idea for recovering ancient sounds has been around since it was proposed by Richard G. Woodbridge in a letter to Proceedings of the IEEE in , nobody has yet been successful in recovering ancient sounds a hoax in suggesting Belgian researchers had accomplished this with a 2, year old piece of pottery fooled a number of people as it made the rounds through various newspapers and across the internet.
However, as our instruments become more sensitive and our computers more powerful we may yet see success with this type of investigation. Will we ever be able to build a machine like he described? Only time will tell.
Acoustic Recordings from Antiquity by Richard G. All Rights Reserved.
CRONOVISOR DO PADRE ERNETTI PDF
Serei sincero: nunca nenhum leitor me pediu para falar sobre o Cronovisor. Talvez por nunca ter ouvido falar sobre ele. Quando eu descobri que tinha o livro aqui num sebo da cidade, corri para comprar. Viajou bastante e fez diversos cursos. Isso transformaria sua vida. Neste dia, um fio do gravador teimava em soltar. Padre Ernetti pediu ajuda ao pai.
O Cronovisor do Padre Ernetti